His shirt comes off all too often and that’s not a bad thing at all. The young actor gets the body language bang on. The character is not the warm types, he’s brooding, he’s brash and he loves like a bad boy. Harshvardhan plays Inder with intensity and charm. Himesh Reshammiya is responsible for the music so there’s no real surprise that the film scores big with its songs as well as background theme. And in completely unoriginal settings the boy and the girl go about discovering love and how hard it is to tell someone, ‘we should hook up!’.īut the saving grace of the film is its music, background score and the performances by Harshvardhan and Mawra. So parents are perennially against their children, society watchmen are gossip fiends and women in corporate offices will snicker at every situation.
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And boy does that rob directors Vinay Sapru and Radhika Rao’s movie of its happiness and sanity. And then there’s the whole track of The Fault In Our Stars inspiration. These situations were jaded back in the ’70s. And the Daddy issues that Inder has with his super successful lawyer father (played by Sudesh Berry) turn out to be damp squib as well. To say that his reactions are over-the-top would be an understatement. Her father Jayram (played by Manish Choudhari) has the corny Tamilian accent and a raging hormone type of knee-jerk reaction capacity. It starts from the very stereotypical Tamil Brahmin depiction of her family. The writing nose dives from the moment the girl’s father and the pesky society members make allegations on their relationship.
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The hunk falling for the dork, and the nerdy girl desperately wanting to be sassy. The setup is the only good thing about the script. But, when they meet they instantly spark and their chemistry is fantastic. Mawra’s Saraswati is the bespectacled homely girl who’s too nerdy to even fit in at a library. Harshvardhan’s Inder is shirtless, tattooed, chiseled and okay with loving women and cats in equal measure. Things start off by showcasing the vast difference between the two leads. Sadly their efforts are wasted in this weepy romance that’s tedious and long drawn. Not only are these good-looking actors they’ve got promising acting chops too. Despite the mediocre material they work with, each is able to leave a lasting impact. Harshvardhan Rane and Mawra Hocane (spelt Hussain) are definitely better than the tripe they act out. Sanam Teri Kasam proves that good talent can shine through bad films.